Vowel harmony in Romance languages


CANALIS S. C., Jiménez J., Lloret M., Renwick M. E.

The Oxford Handbook of Vowel Harmony, Oxford University Press, London , ss.872-892, 2024

  • Yayın Türü: Kitapta Bölüm / Araştırma Kitabı
  • Basım Tarihi: 2024
  • Doi Numarası: 10.1093/oxfordhb/9780198826804.013.69
  • Yayınevi: Oxford University Press, London 
  • Sayfa Sayıları: ss.872-892
  • Anahtar Kelimeler: Centralization, Directionality of harmony, Height harmony, Metaphony, Morphologization, Romance languages, Stress-dependent harmony
  • Boğaziçi Üniversitesi Adresli: Evet

Özet

This chapter presents the main features of vowel harmony (VH) patterns in Romance. Virtually all Romance harmonies are unidirectional-that is, they are right-to-left or left-to-right processes. Furthermore, in most Romance vowel harmonies the stress-bearing vowel is either the target (most usually assimilating to the final vowel, a process known as 'metaphony' in Romance linguistics) or the trigger; even when this is not the case, the boundaries of the process are prosodically defined. In some VH processes, there can be intervening transparent vowels between the target and the trigger. Most harmonies displayed by Romance varieties involve vowel height, though there are some instances of rounding or backness assimilation in Swiss Lombard, Valencian Catalan, and Romanian, as well as cases of centralization (or laxing) in Canadian French, Cantabrian, and central Sicilian, and complete vowel copy in Italo-Romance.